Class collaborative project, or doing art in public at Greenlake

My Fiber Arts Certificate course continues to be a fabulous learning experience. As we go into the final week before our exhibit opens (see by-hand.org for details), I'm focusing mostly on finishing the detail work on the piece I'll be exhibiting. But I promised to blog about what we're doing as we do it, so I want to show off our collaborative project. A group of six of us decided to do an interactive public art project for our collaborative group project. We decided on doing a group weaving project - creating a frame, bringing fabric strips and yarns, setting up tables at Greenlake Park near the hiking trail, and inviting anyone who walked by to participate. We split up the basic materials, scheduled slots for being at the tables, and assigned other tasks, such as creating the frame, or, my task, writing a blurb and creating a booklet for participants to sign. Here's the text that went on the sign, and on the back of the booklet:

"Community comes in many forms and is made up of each member contributing their own abilities, like color and texture from threads in a woven cloth. On May 15, 2010, we are creating an opportunity to symbolically create a cloth representing the community here at Greenlake. By selecting a fiber to weave into the cloth and using your own preferences as to how the fiber is inserted, you can help create the final cloth just as each of us creates the community by the way we participate in it. Please use the booklet provided to record your thoughts about community, this project or what your choice of fiber symbolizes to you."


The reason I mentioned community is that Lois, the creator of the frame, also took the initiative to go talk to the staff at the Community Center and arranged for display of the final piece after our class is finished.



We started out setting up on 2 tables, and having to create a sign to try and draw people in. This turned out to be somewhat unnecessary as people were curious about what we were doing and usually we had at least 1 or 2 people at all times, and sometimes were on the verge of having a line for people to participate.



Once we had things set up, and had started the weaving in a couple of directions, we were off and going.


We had a wide range of participants, of all ages, genders and backgrounds. And lots of interesting conversations with people. It was really clear that the people who stopped valued the opportunity to participate in creating art.




By the time my shift ended at noon, we had almost half the frame filled with materials.




I haven't yet seen the finished piece as I missed the most recent class due to the pinched nerve in my back, but I'm looking forward to the PowerPoint presentation next Tuesday when we present to the class. This was a good exercise in working in a group and gave us an excellent opportunity to do some publicity for our upcoming exhibit. I can certainly see doing something similar on a regular basis, although it's likely I'll pick a park a little closer to home.

Guerilla Art (Fiber Art Program)

One of the assignments for my Fiber Art class was to do a site specific piece of public art. Since I walk at the greenbelt near Larsen Lake almost every day, I decided to do a piece for the pier at the lake. I selected pictures I've taken that represented each season, and a detail image to go along with the larger landscape picture. Then I put them together in a banner. I had originally intended to include a strip of green fabric representing the greenbelt, and silkscreened runners on the belt but once I got the images on the banner, I decided that additional layer would be too much.


I had some interesting conversations while carrying the banner from the library parking lot to the pier as it's about a half mile walk on the greenbelt. And I learned some things about creating art for a different presentation. I meant for the banner to hang over the lake but that didn't quite work out due to several problems. I got the angle wrong, the bamboo poles I used, to evoke fishing rods, weren't long enough, and I completely forgot about the predominant wind direction. If I'd gotten the angle and the rods right, the wind might not have been such an issue but as it was, I had to move the poles to a different hole in the railing so that the art was visible.

Lots of learning going on this quarter, that's for sure. And now that I have my new computer installed, and most of the things I need transferred or installed from the old one, I'm back in business and will be blogging about what's going on in the course at least once a week.

Fiber Arts Certificate Program, second quarter wrapup

Despite having knee surgery in early February, I was still pretty productive in the second quarter of the Fiber Arts Certificate program. The focus for this quarter was concept driven art and how to produce it. We started out the quarter with an assignment to do 50 collages in one week. That was a tremendous learning experience, and I'm looking forward to being back in the studio and using the lessons I learned in daily practice. Right now, the knee is only allowing a couple of hours at a desk at a time, so I have to be patient. Not one of my best skills but I'm working on it.

To do those collages, I had to work smaller than I have before. This was an excellent exercise as it allowed me to try out variations visually rather than attempting to edit my ideas in my head. I learned that things don't look the way I expect them to and that my design ideas are greatly improved by trying them out visually.

This insight led to my really grasping the point of working in a series. I'd heard others talking about series work, but hadn't really gotten the why of it before now. Now, I do. I can try out the variations, see what works best, and then do that in a bigger format. A big plus is that I get to feel incredibly productive and have smaller pieces that will sell at a more affordable price. I'm not seeing a downside here which is really nice.

The third big lesson is that thinking over what to do is futile. Do one, see if I like it, if not, do another idea. Experiment! I suppose this is what is meant by the phrase "make visual decisions visually". Spending a couple of hours going back and forth in my head turns out to be a waste of time. In the same time, I can do 2 or 3 variations in a small size and SEE which one comes closest to evoking the emotion I'm aiming for.

And fourth, I learned to have a clear concept underlying a piece and make sure that every part of the piece contributes to that. If not, toss it aside and let it wait for a piece that it does fit.

The other big part of this quarter was producing a clear philosophical artists statement. I found this to be very useful, especially the class we spent doing quick written feedback on our fellow classmates' statements. Having to put into words why I produce the work that I do was a good way to clarify the concepts that I want to focus on. I've written artist statements before, for pieces going out to exhibits, but this time was more productive because of the feedback from others and the questions raised by our teacher.

The last big lesson I learned is the usefulness of a regular critique group. Having a supportive and knowledgeable group to ask focused questions is a very useful way for me to get clear on the underlying conceptual basis for my work.

To sum up: an incredibly powerful quarter, and I only hope I can apply the lessons I've learned once I'm back in the studio full-time.

E-bikes at Best Buy? Coming soon...

Today's Sightline email led off with a link to the first in a 5 part series on electric bikes, and improving transportation efficiency with alternatives. I've only read the first 2, and this is a link to the second in the series. It talks about why people might choose electric bikes, and what's likely to happen this next year. My soon-to-be 20 year old son has been riding electric bikes as his major form of transportation since graduating high school. We got him a folding electric bike for graduation, and a more powerful (and more expensive) one last year. He rides both but prefers the more powerful one as we live on a really steep hill. If I hadn't had knee problems this year, I'd probably have already converted my regular bike to an e-bike and be using it for my shorter rides around the neighborhood, by which I mean 3-4 miles. I'm really jazzed that I'm not the only one excited about e-bikes so this series is something I wanted to share. I'll also take this opportunity to point out that even including the repair costs for the 2 accidents he's had (both very minor), all maintenance costs, and the costs of the bikes and all his riding gear, it's cost us way less for his transportation than it did for his older sister's car and it's maintenance and repairs. Less than half, to be more precise. Costs less, better for the planet, healthier for him. What's not to like?

Meditate like a Marine

Isn't that a great title? Today's email from dailygood.org contained that title and a link to the full article about measurable mood and memory enhancement from 12 minutes of meditation a day. (They called it mindfulness training, which is a somewhat clearer name, but it's the same thing.) Controlling mood is on my mind these days as my knee surgery recovery takes much longer than anticipated and I find myself struggling to maintain my emotional equilibrium. I'm okay with the loss of daily walks altho I miss them, but adding in an inability to sit at my work areas for more than 20 minutes, so it's very difficult to create, and I find I'm getting impatient easily. My Fiber Arts class for this quarter ended last night so I have a couple of weeks to focus on healing and maybe regain my sense of being centered and balanced.

10 easy ways to help the planet (Yes! magazine)

Today's email brought a pointer to an article from yes! magazine about 10 easy ways to change your life and help the planet. It seems worth sharing. Read the whole detailed list here; some of the easy ones: eat your veggies (reduce meat consumption) , give up bottled water (we've switched to a seltzer bottle. Umbra at grist.org had a nice video today about various other ways to make your own bubbly water), and have dinner with friends. We're doing the last as a monthly game night which gives us all a chance to hang out, chat, play some games, and enjoy ourselves. This last is on my mind as I head off to knee surgery today, and realized I needed to send a reminder email. Yikes!

Light Electric Vehicles (LEVs) aka electric bikes

Today's email features a lengthy article about Light Electric Vehicles, a category designed to include both scooters and electric bicycles. It mostly focuses on the bikes, and the huge increase in popularity in Europe, but I found this quote compelling:

"...the average cost of owning, operating, maintaining, and driving a car comes out to 71 cents per mile for an average car driving an average of 10,000 miles per year. In contrast, it costs about 2.7 cents per mile to drive a LEV the same distance."

For those who go short commutes, it might make sense to switch, at least for the shorter trips. For more info, here's the link to the full article.

50 Collages, lessons learned

Class on Tuesday was very interesting. Few of the others in the class did all 50 of the collages, so I felt pretty good about my having "only" done 30. The other interesting thing I noticed is that my 50 were not as tightly related as most of the others. My theme, spiritual journey, is kind of a large one and I did a couple of different sub-themes. I also didn't have a particular palette. Obviously, my word for 201o (Focus) comes into play here too.

So, for the next class assignment, I've narrowed my theme significantly. For now, it's hummingbirds, but while I like the sketches I've done, I'm wanting the spiritual aspect to be there too, so I'm going to have to think about how to bring that back in. And I sorted through my fabric stash in my studio. I'm moving some of it downstairs, as it's not the right visual texture for my current work. If it's not in the studio, I won't be tempted to use it, and can more easily develop my own palette.

Our next assignment is to do a diptych on the theme as we're developing it. I've picked the phrase "Joy & Comport" as a working title. I wanted a vague background, impressionistic in style, so I did my preliminary sketches (size 9"x12") using watercolor pencils and then did some experimenting with adding a wash to blend them. I like the effect, and I'm looking forward to experimenting with the pencils on fabric in the future. For now, I'm working with the hand-dyed silk I have on hand, except for the piece I need for the sky which I will be painting today.

The class assignment is for at least 14" on each side in size. I've set myself a personal goal of producing 6 sq. ft. of art per week. So, in line with that goal, my fabric version of the sketches will each be 18"x24". We'll see if I can actually finish them in a week. I'll just keep telling myself my new mantras: Focus, Use what you have, experiment. ( These are the things I've gotten from the class so far.)

At the very least, I should have the fabric tops done by class but I really believe I stand a good chance of having the complete pieces, or at least 75% of them, finished by next Tuesday. Whatever happens, it will be a grand experiment!

50 Collages, day 4

I took Sunday off, how traditional. I was back to work on the collages yesterday, and got 7 done. I also had a couple of epiphanies about my work process, and I'm mulling over how to change things. I'll be talking about the changes when they're done, I expect. I find I have a hard time doing more than 5 - 7 collages in a day, given the restriction on each of them being different. When I did fabric postcards for an exchange, I did small collage like things, but did variations on a theme in sets of 5. That I could do really fast! This has been a very fruitful and productive assignment, in both work produced and insights achieved. I'll be talking about what I learned tomorrow when I wrap up with things I produce today.

Yesterday's work yielded these 2 among others.

Number 24 came about because I was reflecting on how literal I can be in my thinking. Then I looked down at my work table, saw the remaining pile of dancer figures already cut out, and the image just popped into my head. This one was almost instantaneous which was a nice break from the slogging I felt I'd been doing all afternoon. I was good until the fifth one for the day, then I started slowing down, overthinking, and generally having to push to keep going.



This one, #25, is the visual sketch for a piece I'm doing for an online challenge. I wanted to try out the TAP paper (Transfer Artist Paper) which worked great on transferring the hummingbird images from my computer to the fabric background. I also wanted to try the composition which has been sitting in my head for a bit. I find I really like doing the visual sketch. I had tried doing a pencil sketch, but I need the color and the texture that comes from the fabrics I use to really evaluate the idea. The word theme for the challenge is Comfort.




In addition, I want to share #14 which was the one I used ExtravOrganza on for the first time. Given that I'm sharing the experiment with TAP, I thought I'd include my other experiment.
I like the transparency of the globe that I printed using Extravorganza and I expect I'll be using it in the future, unless I actually get around to the image transfer experimentation I have on my want-to-try list.

50 collages, day 3

Yesterday was less productive, but I had anticipated that which is why I tried to get off to a big start. Not only did I have a morning appt, but I slept poorly so I was brainfogged. However, I got in 3 hours of solid work, producing 5 more (total so far is 18) collages. In addition, I had some insights about my work process and how to integrate this collage process into it, and got some prep work done. Here's a couple of the ones I did yesterday. They're getting more sketch like as I go along but that's okay, these are conceptual sketches, reminders/tryouts of the ideas, and I'm now to doing one in 20 to 30 minutes max. I foresee this being what I do in my sketchbook when I have an idea, and want to see if it's worth developing.

This was #17 in the collages. The idea was to visually present walking a maze. I like the strong graphic imagery, and think this one might work really well on a larger scale, where I could stick in lots more detail in the walls of the maze. I intended for the green fabric to imply one of those garden hedge mazes and that would give me lots of room for birds in the hedges, etc.


This next one was the last one I did yesterday. The hummingbird theme is a strong one, but it's not as prevalent as it might seem based on the pictures I'm posting here. I'd estimate the hummingbirds only show up in no more than a third of the total so far.

I originally laid this one out on the peltex which is 8.5 x 11", and then when I realized I was using paper, I switched to the 9 x 12 watercolor paper for the base. This led to there being more leafy stuff at the bottom. I'm contemplating cutting some of it off. On the other hand, I kind of like the slightly topheavy feel. I'll set it aside and think about it later, I suppose.



Going to bed early did not solve the sleep problem, which is probably related to the beginning of tree pollen season, so I anticipate today will also be low on the collage count. So, I'll be catching up on my accumulated email, doing some miscellaneous stray studio tasks, and tidying my work area so I can go big tomorrow. Realistically, I'm hoping for a total over 35; I think I've already benefitted tremendously from doing this exercise so I'll be happy with whatever happens from this point on.

As part of my relaxed day, I put one of today's collages into jigspot as an experiment. I've been meaning to do this but haven't gotten around to it. Here's the link to it.

50 collages, day 2

Well, I did it. 10 collages yesterday in 7 hours, for an average of about 40 minutes each. The last few were in about half an hour so I should be just burning through them today, assuming I don't fall over from the effort. *grin* Only 37 more to go...

I had a couple of comments on Facebook that brought it to my attention that I forgot to mention the size. I started out using 9"x12" watercolor paper as a base. Spiral Dance was cut down to a square, 9x9. Then, because of the curling factor for the paper and because I'm scanning them in to show them here, I cut peltex to 8.5 x 11 size. So, they're roughly the size of a piece of paper.

I did 10 and then laid them out on the floor to see them all at once. This was instructive because I could see visually how my thoughts had run. Since this was something the instructor had mentioned in particular, it was nice to have it happening so early.

These two, selected from the day's production, deal with an image that I was already wrestling with to turn into a larger wallhanging. It's very useful to play with the composition in this smaller format and I'm looking forward to seeing if the design that works in the small can scale to a larger piece well.

I don't think I've told the story about the hummingbird we feed, or one of them, going into the garage and trying to fly through the window in the back. He didn't smash himself, he just kept buzzing at it. I had to run an errand, and he was still there when I got back, so I went to get the feeder and held it hanging from my finger to try and get him to turn around so he could see the open door. He ended up landing on my hand to rest which was an amazing sensation. That experience has deepened my fascination with hummingbirds, and is leading to a whole series of pieces so I tried out one of the ideas for this collage.



This was #10, done after the above one. I finished the first one, and I'd printed out some smaller globes to use, and thought about fingertips, smaller globes, that led to multiple hummingbirds, et voila!

More tomorrow!

50 Collages in one week, Yikes!

My new Fiber Arts instructor gave us our first assignment: make 50 collages on a single theme in one week. This will be an interesting learning experience, for sure. Class is next Tuesday evening, and I have 3 done so far. I spent one day brainstorming, so I have a huge list of ideas to explore, and assembling materials from various nooks and shelves around the house. The first 2 took over 3 hours to make; the third took one hour. I set a timer on myself on the third one so I could keep it to an hour. Today, I aim for 10 collages, and less than 45 minutes each. We'll see how we do. I need to let go of doing a finished piece, and do a compositional sketch or I'll never make it to the total number. And as he explained, the idea is to experiment and see our own conceptual connections so it is important to do the whole 50 (plus or minus a couple...). Somehow, I still feel like I've been pushed off a cliff and am trying to learn to fly as I go down.

My theme is Spiritual Journey and here's the first 3 collages. I particularly like #2. These are all a combination of fabric and paper glued or fused to watercolor paper. I'm thinking of using peltex as it's a bit stiffer for the ones with mostly fabric. The watercolor paper is curling on the boat one.


The first one is from an idea that's been simmering for a while, based on a song, Sailing a Blue Boat.


Second one is Spiral Dance, probably #1. I expect more along this path in the next few days.


And this one is based on the Solstice Stocking I did for a friend a couple of years ago. It worked better as the stocking, I think, altho I like the idea and think it would work better with more detail.

Monthly Games playing day, or doing more but buying less

I spent a chunk of time on New Year's Day playing Mah Jong with my daughter and a couple of friends. It's been a year since we played together, and we all remarked on how nice it was. I had talked with another group of friends the night before about doing regular board game playing get togethers and we picked a day, and set a time. So I suggested the same thing to my Mah Jong buddies and we did the same. I now have a monthly day playing games of some sort and I expect it to grow as interested friends get added to the notification list. So I noted with interest an article from the NY Times about people buying less, and doing more interactive things with friends. Yup, me too. The article can be found here. I must admit I've always had a tendency to prefer simpler pleasures and have never spent $1000/month on designer clothes. (Okay, $100/month on books maybe...)

Fiber Arts Certificate Program, First quarter wrapup

Now that I've had a little time over the holidays to digest how the first quarter of the Fiber Arts Certificate Program went, and I've uploaded the photos of our last assignment, I'm ready to share.

It's been a challenging quarter. Our instructor's intent was to shake things up for us and she certainly succeeded for me. We only had 2 major assignments so the work we did wasn't primarily creating things but was instead questioning our assumptions, and giving us a broader perspective.

Our final assignment was to do a bigger than life size self-portrait of one persona or aspect of ourselves. I got tangled in the "bigger than lfe size" part of it, and feel my own piece was a major belly flop. A fabulous learning experience however. I was attempting to portray the emotional impact of having a hummingbird land on my hand - an experience that delighted, and astonished me. I also got caught up in the mechanics of doing the shadows and shading, not to mention some serious trouble getting the photo to start from. (That was also part of the assignment.) So, my piece was incomplete when it was time to present. It wasn't until after the class discussion that I realized I didn't need the bottom 2/3rds of the piece. I'm now working on tightening the focus, and doing this again because I do want to do a piece about this experience.




Several of the other members of the class did wonderful interpretations. Here's one of the ones I particularly liked. Roberta captured her love of swimming and water so well visually, at least in my opinion.


I think we've all learned a lot. I know I have. Most of my lessons have to do with my own process, and how I need to tighten my focus, do a bit more planning of the intent of a piece before leaping in and working. I have to balance that with the fact that once I'm in the flow of working on it, I work intuitively and need to not push myself into a box to meet some requirements. The other big thing I'm taking away is to use what I have to make it work while staying focused on the intent and the goal.

Now to see how we all do on applying these lessons to creating work this next quarter. We were warned that the next instructor pushes us to do lots of work; to the point of requiring 50 collages in one week at one point. Yikes! This will be another, and different challenge.

Resolved: Give just a little and help a lot

Today's email brought a story from dailygood.org about a website that helps people with small needs. Modest Needs Foundation, at modestneeds.org, gives small grants (usually a few hundred dollars) to the working poor with the intent of helping the recipient make it through an unexpected emergency. Donors can give as little as $5, and the donors pick which applicant to help. What I found encouraging is that 68% of the recipients end up donating back later on. Paying it forward, indeed...

See the full story here.

Backup battery for your house or how to go off-grid for up to a week

Panasonic announces a battery for your home, able to store enough energy for a week. I think this is exciting news since having an easy energy storage system will make intermittent energy production more useful. If I have a battery that stores enough power to run my house for a week, then wind or solar is much more useful. Panasonic has announced delivery is planned for 2011. Read the full article here.

Electric Bike news

My son is in love with his electric bikes. And now that we've added the bike rack to the back of the Prius, I'm ready to order the conversion kit for my bike and give it a try myself. So I was encouraged by this article from EV World, about the surge in electric bikes worldwide. We're lagging way behind China and the EU in this area but that's not surprising, I guess. If you've ever loved riding a bike, but didn't like hills, or getting too sweaty, check out an electric bike.

December baking and (gluten-free) buckwheat

Between Thanksgiving travel, and my fiber arts program, I have had little time to blog lately. As I gear up to do my seasonal baking, now that my class has finished, I thought I'd share a link to a grist article about buckwheat, an old grain being rediscovered as lots of people go gluten free.

Here's the buckwheat article.

I have hopes of posting photos from the fiber arts program this weekend. Picture me crossing my fingers....

Giving green - alternative gift registry

Today's grist.org featured an article about having a green baby, or actually, how to shop for a new baby using the reuse, recycle, reduce approach. (Read the full article here.) In the article, mention is made of an alternative gift registry from The New American Dream. As my daughter reaches the age where marriages & babies are becoming common among her age group, this seems more relevant than ever. So I share. Gift registry here, New American Dream here. I'll note New American Dream has an article about gift giving in general and simplifying the holidays. I hope your holidays are full of joy!

lacy maple leaves

Inspired by fall, I decided to try some things out with the burgundy lacy maple leaves in my yard. I planted the tree about 3 years ago, when the winter storms took out 2 apple trees and left a big hole in the sunny back part. This year, the tree is big enough, and has enough branches and leaves, that I didn't feel guilty cutting some off before they fell.

I clipped a small branch so that I got several leaves because I wanted to try and get some depth and layering of the leaves. Some went into glycerin, and in a few days, I'll see how well that works for saving them for me to play with throughout the winter. Here's a black&white scan done on my epson cx3810. I liked the shading I got. I had to play with the settings to get it to show at all. This was annoying since the b&w copy came out great. Not sure why the difference. I suspect I have a lot to learn about how my scanner works and how to manipulate it.



Here's the same layout on the scanner in color. It looked much better on the screen when I was scanning it because the horizontal lines didn't show there.

And here's a photo I took, using macro lens, sidelit by the table light I use while sewing. I taped the leaves to the top of the lid on the printer because of the white background in the lid. I'll be manipulating this in photoshop, and seeing how many different things I can do with it. I particularly like the shadow behind the leaves from the side lighting.



I love these leaves, and I'm still trying to figure out exactly how to capture the contrast between them and the gray rainy fall days when the burgundy pops out at us even with the other fall colors. There's been a piece, or more than one actually, brewing for years. I think this might be the year they happen. More pictures later, as things mature.