Upcoming show at TK Corridor Gallery in Pioneer Square

This is the second of my shows this year, and it opens next week.   I am pleased to note they used one of my pieces for the art on the back of the postcard.    The Gallery is open on Fridays and Saturdays from noon to five so the opening during the Pioneer Square Artwalk may be the most convenient time to see the show and is certainly the only evening time.

Melting glaciers and why you should care

Today's email brought this link to an article about melting glaciers and the effect on global climate.  Besides  rising sea levels, the two biggest impacts are the shifts in the jet stream (you know, the high level air stream movement that keeps thunderstorms moving along rather than dumping all their rain in one place) and the loss of glaciers & snow packs as water reservoirs  for areas where the regular runoff is used for drinking water and hydro-power production.  In the US, that means Alaska, California, and probably many of the Rocky Mountain States.  It's worth reading the article to get a better understanding of why people are saying this is a big deal.

Marbling fabric - fun times in the studio

Having survived 3 bouts with the flu this winter, and needing something to motivate me to slog through the accumulated chores and mail, I promised myself a play day in the studio.  I got the last stack of papers sorted and filed, and Karen Dedrickson and I spent several hours in her studio last week, doing some basic marbling.  She took a half day workshop in it several years ago but I have never done this before so this was our chance to see if all the ancient materials we had both accumulated over the years would work and if we liked it enough to do more.  Karen works on paper, usually with sumi ink, and does these fabulous & amazing birds so she was working with black ink and her rice papers.  I brought various fabrics to try out and two types of fabric paint.  We had a fun time, learned that we need to learn more and generated some pretty samples.  There will be more days like this in the near future.

So, on to the details.  First, I used the setacolor paints I have.  They are really nice for doing color washes on fabrics and I have a lot of different colors, so I thought I'd give them a try.  First, I used some organza that I have that is backed with paper and prepared to accept inkjet inks.  Here's how it looked with the backing paper still attached.  The white blobby spots are air bubbles from my lack of experience in putting the fabric on top of the tray of goo (technically called size) with the paints floated on top.

And here's how it looked after the backing paper came off.  I put a piece of white paper behind it offset from the edge a bit.  My scanners lid is black so it looks very different depending on the backing.

Then I tried some habatoi with no paper backing.  I got the colors on to the size pretty well but forgot to do the combing and pulling to make it more than just blobs of color.  Altho the blobs can make some interesting designs if the colors are layered in an interesting way.  The habatoi is somewhat light in weight and the paint is transparent rather than opaque so this piece came out fairly pale.

And the last piece with the setacolor paints was a piece of inkjet ready silk.  Since it was a leftover bit, I'm not really sure what weight it was.  It came out the best of the setacolor ones, both in color and patterning.  Experience counts, I guess.

Next, I moved on to try the neopaque paints.  I have fewer colors in these but they are opaque and heavier.  I found they just sank right away in their out of the jar thickness.  So, I added some water, and tried some different methods of applying them and got some good colors.  This was a piece of the habatoi used above and the colors were nice and vivid and I'm starting to get the hang of the patterning.

I was still having problems with the paint sinking.  The troubleshooting guides we found said that either the size was too thin or the paint was too thick.  I didn't really think I could thin the paint much thinner than I had it so I did one piece of cotton, a white on white print, to clean off the remaining paint from the size, and here's how that turned out.  The little hints of reddish color are actually a metallic rust paint but it was particularly bad about sinking fast so not much of it showed up.  This piece is mostly to show that cotton does take the paints well.  One of the books I've been reading about marbling said that silk was the best fabric to use but I'm not sure I'd agree with that.

We had a fun day and got some good ideas about where to go from here.  We spent yesterday in my studio trying out some of our ideas and I'll be reporting on that day later this week.

2013 Goals and Intentions

I had intended to do this post fairly soon after my 2012 year in review, but the flu came back again for a 3rd round and delayed me.   That took me right up to my first weekend retreat with other creative people and here we are, three weeks into the year already.

I suppose I can feel good that I got a great start on my major studio goal for this year - creating a body of work based on my bird photographs.  I have two pieces that have been well received that used my bird photographs but I've been somewhat stymied on how to expand on this start.  So, this is my first and most ambitious goal.    The two pieces I've already done are Backyard Bushtits #3 which I posted in the year in review and Quantum Lake seen just below this text.  Quantum Lake is now matted and framed so the binding doesn't show anymore.

I have some ideas about how to pursue this series and trying them out will bring other goals to the forefront.  The other major issues in my goal setting for the year are my various health issues.  I have knee & back problems from injuries that are decades old and will probably continue to decline.  What that means right now is that I need to focus my effort in ways that do not require me to personally travel extensively or lift lots of heavy things.  So, I came up with goals that minimize my physical effort and travel time.   Here's the list of those related goals.

•   Using my new camera which will allow me to take photos in RAW mode 
• Learning to use Photoshop to more precisely manipulate and enhance the photos 
• continue creating my own cloth using dyes and various surface design techniques
• experiment with different styles of work using my photography as a major component (this might include adding text elements or even doing things that are primarily writing)
• Explore online ways of teaching or sharing my experience in various techniques
• Explore other ways to market my work that minimizes my physical effort

These goals don't easily lend themselves to measuring so I also came up with a list of easily measurable items that will set my habits and give me some sense of accomplishment no matter how the exploration in the studio goes.

• Put in 700 hours in the studio for the year.  Aim for 10-15 hours in the studio per week on average.
• Blog twice a week.  I did that for a couple of years when I started and once I got the habit going, it worked well.  My knee replacement surgery and moving disrupted that habit so now it's a matter of getting it back in place.
• Write my newsletter at least every other month, aiming for 6-9 times a year.  Shameless self-promotion:  Send email to subscribe@lizcopeland.com if you'd like to get it.   I mostly use the newsletter to talk about the shows I'm in and new galleries that show my work so they're short with lots of pictures.  
• Submit to at least 6 relevant shows.  I want to more tightly focus my marketing efforts so I'm going to be looking for regional and national shows with thematic relevance.  
• Do one marketing/admin activity each day, Monday through Friday.  
• Read art related magazines or other material on Sunday afternoons.  I have a huge stack backed up, it's time to whittle that down a bit.

Then there are the personal goals.  

• Work the back pain issue.  It's time to get another look at just what's going on;  is there still a bulging disc or is it just the leg length difference from the knee replacement surgery irritating things?
• Exercise regularly and do this first.  If I don't do it first, I tend to skip it.
• Meditate daily.  This too got irregular over the last few months when I was putting more energy into working at a co-op gallery and traveling enough to really aggravate my back.  
• Lose weight.  Aim for 4 pounds a month on average.

So, now I have a list to check back on and help keep me on track.  

2012 - a year in review

Whew!  We made it through 2012 with a few bumps, several challenges and some losses.  As I do every year, I spent some time at the end of the year writing down my artistic accomplishments to see how I did compared to what I thought I wanted to do at the start of the year.  This was a big year for me despite the physical and emotional challenges the year presented.  What did I get done?  Glad you asked!

Biggest accomplishment was taking and implementing lots of the material from the Artists' Trust EDGE Professional Development Program.  This class met once a week for several months for a full day of intensive work in particular areas such as portfolio creation, gallery submission, legal stuff, pricing.  All the nuts and bolts of being a working artist.  We had a guest speaker each time and then spent the rest of the day boring down on the material and how to apply it to our work.  My class was a dozen artists working in different material and we really gelled as a group and have continued to meet and support one another twice a month.  This class helped me clarify my artistic vision, my personal goals for the next 5 years and gave me the tools to do what I want with confidence.

Next up, I sold more than I've sold before in six months.  The class ended with a group show at the ArtsNow Gallery in the Edmonds Conference Center.  I had 4 pieces in the show and three of them were bought for the Permanent Collection at Edmonds Community College.  (Our group sold over 10 pieces, a new single show record for the gallery.  Just sayin'.)  I sold 3 more art pieces before the end of the year, and on top of that I did another batch of sales of accessories, including a commission, another first.  One of the pieces that sold to ECC is below and will be part of the direction I go in the next year, but more about that in the next post.

Backyard Bushtits #3

Then there was showing my art.  I joined Gallery North, also in Edmonds, where I learned a huge amount about presenting art, got to practice talking about art, and relearned how to sell to individuals.   I also  joined Artists Connect and was in their member show, ArtSplash, in July.  And I had 3 of the 4 pieces I submitted to the Edmonds Art Festival accepted into the show in two different categories.  Another area show in November finished off my season.

I updated and improved my webpage and my marketing materials.   This is an ongoing process for an artist and I'll be doing another pass at it this month.

Last, but certainly not least, I took an online class from Lisa Call about Working in a Series.  I've been struggling with where to go with the pieces that incorporate my bird photography and this class helped me focus my intent for the series and gave me some process tools to make my studio work more productive.  Again, material that I will be using in the next year.

Then my back called a halt to this mad gallop I was doing.  So now I'm resting and thinking how to work within the physical constraints imposed by my health issues.   I have some ideas and I'll talk about them in my next blog post.

I hope your year was as productive!

Emergency stove and it can charge your phone!

Wow, this is going on my list for emergency gear.  Yes, we can use the hybrid for emergency electricity, assuming we can get gas for the car, but I know from experience after several days without power, having warm coffee or tea, and being able to charge the cell phone so you can communicate, well, it really can be the little things that help you keep going.  Great story about people pitching in and the BioLite CampStove here.

New accessories go to a new store

Having gotten tired of deciding whether to keep tryout samples and where to put them, I've been using scarves and pillows as ways to try out new dyes and new screens.   When I heard the question "Where are you selling these?" from a friend for the third time, I realized they were right.  So, this last week, I dropped off several different silk scarves in coral, teal and a lovely silvery gray at The Gallery at Town Center in Lake Forest Park, a part of north Seattle.

Here's the coral scarf, screened with a design of cascading laceleaf maple leaves.  I *adore* this leaf for some reason and it's a very popular landscaping tree here in the Seattle area so I've been thinking of using it in my art for years.  I'm really glad to finally have done something with it.  I started out trying to work it into an artquilt but never quite got that going.  Now, of course, having put it on some samples and played with it, the art ideas are flourishing.  This only confirms that doing these accessories is a really productive way to try out some of my design ideas.

The art ideas will probably use this color combination below, the silvery gray with burgundy leaves.  To me, that's classic Seattle fall colors.  All the Japanese maples that turn that lovely color just stand out as the cloud cover comes in and starts us toward our winter grayness.  This particular scarf will probably not be repeated as the dots were an accident.  I was screening too fast on the leaves and the thickened dye mix splattered onto the scarf.  Oops.  Okay, we're going with dots!  So, I added more.  Of course, two people have said they love it so I may be speaking too soon to say I won't do it again.  There was a certain wonderful playfulness in making all the dots since I did it very quickly and without analyzing where they should go.  Just started dabbing away and I like the result even if it's nowhere near the subtle dramatic effect I was going for.

The teal scarf below was done using a discharge agent rather than a thickened dye.  It went almost completely white which is somewhat starker than I was wanting but really creates a dramatic contrast with the lovely teal.  I will be using this teal again, and I'll be experimenting with different methods of creating the leaves.

I'll also be putting future scarves, and the accent pillows I'll be doing later this month, on my newly reopened etsy store, LizCopeland.etsy.com.  I wasn't expecting the store manager to take all of the scarves I'd done so far but apparently silk scarves, especially in the $45-65 price range, sell quickly and she was very glad to have them.  I'm glad I've found a way to try out new dyes and screens without drowning my studio in samples!  

Dye experiment - shades of gray

This month, my experiments in the studio are focused on shades of gray.  I'm doing some dyeing of new colors to use in some new collage pieces, and as scarves and pillows to sell in my etsy store, so there's been some trials.  One of my problems is that I like to work with silk and I'm using the Procion dyes that are formulated for cotton.  Why is this a problem?  Well, the dyes attach at different speeds with the different fabrics so what goes on as a fairly smooth gray on cotton, separates into the component colors on silk.  I usually like this effect but for my scarves/pillows, not so much.   I'm still working out the kinks, but thought I'd share my progress so far.

Here's a photo of the 6 levels of intensity which is my usual first experiment to decide how much dye to use for a particular size of fabric.  I did six levels,  essentially doubling the amount of dye per cup of water at each level so the leftmost fabric is very pale at 1/2 tsp of dye solution, and the rightmost is 8 Tb.   The purplish colors really shows the level of separation that occurs with this gray which is a blend of green & purple.

And here's my experiment with various ways of putting the fabric into the dye.  Scrunching gives more mottling (the leftmost one), folding gives a definite pattern and the rightmost one has the fewest folds and got patted flat and tilted so the dye moved around more often.  My photography wall is gray felt so this isn't the best way to show these samples, but I think it's good at showing the surface texture produced by the different ways of putting the fabric into the container.   The rightmost is the one I'll be trying to perfect as it's a lovely silvery gray with slight subtle mottling.

Bike infrastructure boosts local economy

Today's email brought this article about the economic impact of funding bike infrastructure.  Turns out that supporting bicyclists by providing bike lanes and racks increases local traffic to businesses.  I suppose if you're not spending $8,000 a year on a second car, you're buying more stuff from the business you can get to by your bike.  I was surprised to see how much money bike tourism brings to Iowa, however.   And yes, that $8000 a year for a car is the AAA number for the average cost per car in America including gas, depreciation, repairs, insurance and accessories.  

Cutest tiny car on its way!

Smart cars are so tiny, they hit the cute button.  And they're about to get cuter, as they go electric.  This news was in today's email.   Small, affordable, and recharging quickly.  All things that I want in an electric car so I'd count this as excellent news!

Summer art shows: Lessons learned

Well, my first summer art show season is now over and I learned a lot.  The first thing is that I need smaller pieces so there's more price choices for people.  So, I've spent most of this last month working out how to do some of my pieces in a smaller size.  Here's a shot of some of what I've come up with.

The larger piece, Springtime Spirals,  is 12x12 and is a fabric collage in a floating frame.  The two smaller pieces to the sides are 8x8 collages mounted on gallery wrapped canvas.  I haven't put them on my webpage yet, that will happen over the weekend, and my working title is some variation of Dance Like Nobody's Watching.    The 2 pieces at the top are 4x6 and unmounted as yet and I'm not sure whether they'll be framed or mounted on the canvas.  The protective coating on the canvases means that the hand-dyed silks I use lose their shimmer and the two smallest pieces are both silks so I may end up framing them.  I'm also adding some wearables to my work.  Those are hand-dyed silk scarves at the lower left of the picture.  I'm using some of the same images on the scarves that I use in my collages so the two lines are related, yet each stands alone.

My other big lesson is my own personal limits for multiple day shows.  I just don't have the physical stamina to do a 4 day show and be at the show, interacting with people, everyday.  So, next year, I'll focus on shows that are 1 or 2 days in duration.  Or work out sharing the schedule with another artist for the longer shows.

While I didn't sell as much as I had hoped, I learned much, gave out many of my business cards and got great feedback on my work.  All in all, a very good start at doing art fairs.

Bike & Transit - what's working where

Today's email brought an interesting report on different ways cities around the world (Hello Hoorn, Netherlands!) are integrating bikes into their transit systems.  Given the relative costs of park & ride sites ($30,000/space) and secure bike parking ($4400/space) here in Seattle, it seems like a good way to go.  Read the full report here.

City Biking report in - High heels & biking, the way to go!

I've talked before about bicycling without turning into a lycra clad stereotype, and here's a great blog post about how cities all around the world are doing small changes with big impact for bicyclists.  Christine Grant talks here about her six months in various cities and ways we might make it easier for people to get around by bike.   I love that she includes electric assist bikes.  I know my son loved his, and I'm enjoying trying it out this summer for local errands and trips.  Bike on!

New bird found in Peru!

Wow!  A new bird species has been discovered in Peru.  Usually, the species count goes the other way so this is cool news as far as I'm concerned.  Here's a link from Cornell giving the deets.  And the picture they have of it.  A pretty bird, too, how nice...

Oh, yes, the bird's name:  the Sira Barbet.  

Falling in love with Bicycling

It's been a very busy month so I've been lax about blogging but today's email brought an article about bicycling in cities all over the world.  The author spent six months exploring bicycling in urban areas and reports here on what people do and why they love it.  Also, some interesting comments about cargo bikes which let you carry all that extra stuff including small children.  The minivans of bikes!  I am really looking forward to getting on my son's electric bike this summer now that I have a new knee.  All I need is sunny weather.

Discharge experiment grows up & New Gallery for Liz

It's been a very busy couple of weeks, what with two shows opening and applying to and being accepted into Gallery North in Edmonds, Washington.  It's a lovely co-op gallery and I look forward to working with this group of artists and learning much about running a gallery.  More news as it happens!


One of the pieces in the EDGE show started as the discharge experiment I did a couple of weeks ago and posted about here.  The final piece is part of my Dancers series, and is pictured below.

The title is "To Infinity and Beyond" and I am really happy with it.  Several techniques that I've been playing with all came together and now I have a process that has no tiresome phases in it.  I go from one fun way to work with the fabric to another.  Oh, okay, cutting out the little dancers with my teeny tiny scissors is time consuming and too much at once could be tiresome, but other than that, it's a fairly joyful way to make lovely pictures.  I'm looking forward to doing more in this series in the next few weeks, maybe even months.  The ideas are flowing and my energy is up.  Good times ahead!

Clueless Cooper's Hawk or feeding ALL the birds

Four times over the last couple of weeks, we have had a Cooper's Hawk land on the branches of the tree in the backyard. Not unusual, you say. And you are correct. After all, the saying about bird feeders is that when you feed the birds, you feed ALL the birds. However, this particular hawk comes in, and lands on the branch that the feeder hangs from, and steps along it until he is directly over the feeder. He then sits and looks around, as though puzzled as to where all the little birds have gone. Because by the time he's settled in, there's not a single junco, finch, chickadee or towhee to be seen in my yard.

I showed the pictures to a Master Birder friend of mine, and she was puzzled by his cluelessness as he apparently looks to be a two year old. Which means he must have learned to hunt at some point. Or maybe he's just a suburban hawk and cruises from feeder to feeder until he finds some small clueless bird too dumb to hide when a big hawk crashes into the tree branch right above. He did take off at an angle that let him use the roof as a shield so perhaps he got his lunch on the way out...




He certainly is a very pretty hawk, however, so I will just settle for enjoying his visits.

Upcoming Show in Edmonds

My EDGE class has graduated, yeah us!, and we have a show opening April 19 at the Edmonds Conference Center. The reception is from 5-8pm handily scheduled for the Edmonds Art Walk time. The ArtsNow Gallery hours at the Conference Center are 10am - 5pm, Monday through Friday so the reception is the only non-business time to see our work. Here's the list of artists.

The postcard art below shows the variety of work. We're a dozen artists which includes several photographers, a couple of watercolor painters, another couple of people who work in fiber (sometimes), collage makers, and a jeweler. Oh, and I forgot the non-traditional sumi painter. And the acrylics and oil painters. We are a mixed and interesting group and I think the level of work is exciting.

Spring Birding begins!

I actually got back into the field and got a full day of birding in last weekend with the last of the winter incursion of Snowy Owls. Three friends and I drove up to Canada and walked along the dike on Boundary Bay where there have been numerous owls sitting on the driftwood piles. There were lots of people, a few of them ignoring the signs about staying on the path, and the owls were mostly tolerant but did once in a while give a gruff look for trespassers. These owls show up about every seven years, depending on the food supply in the Arctic tundra where they normally live and it's always a treat to be able to see them this close.

After the owls, and a moderate wait at the border to get back into the States, we checked out the West 90 area in Skagit County. There are lots and lots of bald eagles to be seen. This group of young eagles looked like a bunch of crows from a distance but that's mostly because I'm not used to so many of them being in one spot.

Besides the eagles, we had great looks at several other raptors (Northern Harriers, a Rough-Legged Hawk, Red-Tailed Hawks) and a delightful look at several Western Meadowlarks. It was a great transition to spring birding.

My walks on the greenbelt this last week made it clear that the birds are definitely in spring mode. The swallows are back at Larsen Lake, swooping and skimming over the water, the Flickers are pounding on everything they can find, and the smaller birds are jumping around more. One of my favorites of the tinier birds is the Ruby-crowned Kinglet, pictured below. They are a greenish brown color that fades into the trees quite well but they jump around so much from branch to branch that it's fairly easy to tell they're there. This one cooperated in getting a couple of nice shots.


I really liked the composition on this one. Skulking little birds, the true challenge of Spring!

An experiment with discharge paste

My "Business of Art" class is coming to a close, with just a couple of assignments to be finished off before graduation later this month. So, I've been hitting the studio and actually making things! What fun.

I started an experiment with Jacquard Discharge Paste this last week. I started with this fabric, which has a tendency to appear very dark and more uniform when photographed at a distance. Since that's the way I do the photography for show submissions (at least for bigger pieces), I'd prefer that the visual texture be more obvious. I also wanted to see what the discharge paste would do on a fabric other than black. Most discharge work I've seen and liked was on black because commercial black fabric is created by overdying and the discharge usually doesn't get all of the underlying color. But I digress....

The instructions say to paint the discharge paste onto the fabric. They also mentioned thinning it with water if you wanted less discharging. So, I thinned with water and then applied with a sea sponge as I wanted to maintain the visual texture the fabric already had. As you can see below, I didn't get as much of the texturing in the discharge as I would have liked, and it's a good thing I thinned it because it discharged to almost white.

I didn't want such a bright white, but more of a subtle lightening, so I overpainted the discharged areas with Cobalt Blue Setacolor transparent paint. I like the results and will be playing more with discharging and overpainting later. I will also share those experiments, so stay tuned!